Ursula K. Le Guin
Bestselling Author  Novelist Poet Essayist

Ursula Kroeber was born in 1929 in Berkeley, California. Her parents were the anthropologist Alfred Kroeber and the writer Theodora Kroeber, author of Ishi. She graduated from Radcliffe College and studied at Columbia University. She married Charles A. Le Guin, a historian, in Paris in 1953. They have lived in Portland, Oregon, since 1958, and they have three children and four grandchildren.

Ursula K. Le Guin writesUrsula Le Guin by Marion Wood Kolisch both poetry and prose, and in various genres including realistic fiction, science fiction, fantasy, young children's books, books for young adults, screenplays, essays, verbal texts for musicians, and voicetexts for performance or recording. She has published seven books of poetry, twenty-two novels, over a hundred short stories (collected in eleven volumes), four collections of essays, twelve books for children, and four volumes of translation. Few American writers have done work of such high quality in such a staggering variety of forms.

Most of Le Guin's major titles have remained continuously in print, some for over forty years. Her best known fantasy works, the first four Books of Earthsea, have sold millions of copies in America and England, and have been translated into sixteen languages. Her first major work of science fiction, The Left Hand of Darkness, is considered epoch-making for its radical investigation of gender roles and its moral and literary complexity. Her novels The Dispossessed and Always Coming Home redefine the scope and style of utopian fiction, while the realistic stories of a small Oregon beach town in Searoad show her permanent sympathy with the ordinary griefs of ordinary people. Among her books for children, the Catwings series has become a particular favorite. Her version of Lao Tzu's Tao Te Ching, a translation she worked on for forty years, has received high praise.

Three of Le Guin's books have been finalists for the American Book Award and the Pulitzer Prize, and her writings have also received a National Book Award, five Hugo Awards, five Nebula Awards, SFWA's Grand Master, the Kafka Award, a Pushcart Prize, the Howard Vursell Award of the American Academy of Arts and Letters, the L.A. Times Robert Kirsch Award, the PEN/Malamud Award, and the Margaret A. Edwards Award.

Le Guin has taken the risk of writing seriously and with rigorous artistic control in genres some consider subliterary. Her courage has been generously rewarded: Harold Bloom includes her among his list of classic American writers, and Grace Paley, Carolyn Kizer, Gary Snyder, and John Updike have also praised her work. Many critical and academic studies of Le Guin's work have been undertaken, including books by Elisabeth Cummins, James Bittner, B.J. Bucknall, J. De Bolt, B. Selinger, K.R. Wayne, D.R. White, an early bibliography by Elizabeth Cummins Cogell, and a continuation of the bibliography by David S. Bratman.

Le Guin leads an intensely private life, with sporadic forays into political activism and steady participation in her local literary community, particularly Oregon Public Library, Oregon Literary Arts, and the Soapstone Foundation. She limits her public appearances mostly to the West Coast. Having taught writing workshops from Vermont to Australia, she is now retired from teaching. The annual workshop Flight of the Mind provided the impetus for a book on writing narrative, Steering the Craft (Eighth Mountain, 1998).

Recent publications include The Unreal and the Real, a two-volume collection of short stories, and Finding My Elegy: New and Selected Poems. 

Selected Writings

  • The Unreal and the Real: Volume 1: Where on Earth (Small Beer Press, 2012)
  • The Unreal and the Real: Volume 2: Outer Space, Inner Worlds (Small Beer Press, 2012)
  • Finding my Elegy (Houghton Mifflin Harcourt, 2012)
  • Lavinia (Houghton Mifflin Harcourt, 2008)
  • Powers (Harcourt, 2007)
  • The Telling (Harcourt, 2000)
  • Steering the Craft: Exercises and Discussions on Story Writing for the Lone (Eighth Mountain Press, 1998)
  • Searoad: Chronicles of Klatsand (HarperCollins, 1991)
  • Always Coming Home (Harper, 1985)
  • The Compass Rose (short stories) (Harper, 1982)
  • The Dispossessed: An Ambiguous Utopia (Harper, 1974)
  • The Left Hand of Darkness (Ace Books, 1969)
  • A Wizard of Earthsea (Houghton Mifflin, 1968)
  • Catwings series (for children)


  • 2014 National Book Foundation Medal for Distinguished Contribution to American Letters
  • 1976 Jupiter Award, "The Diary of the Rose"
  • 1975 Hugo Award, The Dispossessed
  • 1974 Jupiter Award, The Dispossessed
  • 1974 Nebula Award, The Dispossessed
  • 1974 Jupiter Award, "The Day Before the Revolution"
  • 1974 Nebula Award, "The Day Before the Revolution"
  • 1975 Hugo Award, "The Ones Who Walk Away from Omelas"
  • 1973 National Book Award, Children's Literature, The Farthest Shore
  • 1973 Hugo Award, "The Word for World is Forest"
  • 1972 Silver Medal, Newbery Award, The Tombs of Atuan
  • 1970 Hugo Award, The Left Hand of Darkness
  • 1969 Nebula Award, The Left Hand of Darkness
  • 1969 Boston Globe Horn Book Award, A Wizard of Earthsea
  • 1953 Fulbright Fellowship

Ursula Le Guin talks to the BBC about her work, anthropology, and Taoism

For more information about Ursula Le Guin and her work, please visit www.ursulakleguin.com

The most thrilling, wise and beautiful children's novel ever, it is written in prose as taut and clean as a ship's sail... It poses the deep questions about life, death, power and responsibility that children need answering.

The Guardian

As profuse and original in invention as The Lord of the Rings.

Michael Moorcock


Arguably her best novel, and an altogether worthy companion volume to one of the Western world's greatest stories.

Kirkus Reviews

A rare and powerful synthesis of poetry and science, reason and emotion.

The New York Times

It's hard to find a literary career as varied as Le Guin's...she's worked for half a century on the ever-shifting frontier between literary and genre writing, a line she has helped redraw with her elegant prose.

The LA Times